Jazz in Hamburg - Modern & Free Jazz Live Konzerte




VERANSTALTUNGEN


WALT WEISKOPF EUROPEAN QUARTET und NILS WOGRAM NOSTALGIA

Datum:30.01.2019
20:00

WALT WEISKOPF EUROPEAN QUARTET
Walt Weiskopf – ts
Carl Winther – p
Andreas Lang – b
Anders Mogensen – dr

NILS WOGRAM NOSTALGIA
Nils Wogram – pos
Arno Krijger – Hammond
Dejan Terzic – dr

WALT WEISKOPF EUROPEAN QUARTET
After a very well received tour of Europe January/February 2018 this Quartet is available early 2019.
Walt Weiskopf European Quartet plays primarily Walts and Carls music mixed with Walts original arrangements of lesser known tunes from the great American songbook.
All four musicians are highly respected on the jazzscene.
Walt has released noumerous CD’s as a Leader, featuring jazz icons such as Brad Mehldau, John Pattitucci and Tony Reedus. Andreas Lang, Berlin based, is one of the most sought after bassmen on the German scene, and has toured with Kurt Rosenwinkle and Bill Stewart.
Carl and Anders are both regularly touring with Tim Hagans and Jerry Bergonzi in their respectively bands.
A transatlantic Quartet showing where todays jazzscene is heading.

Code of Arms:
https://youtu.be/Qx_jUGwrBGk

Heads in the Clouds/Soul Eyes:
https://youtu.be/5QZExJU-LT4

New Release:
https://open.spotify.com/artist/0tdWD3Wpf0kyUYI6zeT1w3?si=jGiDJNH5QZW9JW6WvNGg3A

DK review:
http://jazznyt.blogspot.dk/2018/02/walt-weiskopf-european-quartet-amm.html

NILS WOGRAM NOSTALGIA
Originally formed as a bebop organ trio we developed our own sound over the last ten years. We use elements from the jazz and other music traditions and transform it into something new. From the past into the future thats what nostalgia is about.

Weitere Infos unter:
http://nilswogram.com/bands/nostalgia-trio



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Jeden Mittwoch ab 19:30Uhr,

Konzertbeginn ab 20:00Uhr.


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Free Jazz ist einerseits ein historischer Begriff für freies Improvisationsspiel im Jazz seit den 1960er Jahren,

andererseits ist es ein bis heute ausstrahlendes Paradigma, das die Möglichkeit zur freien Entfaltung immer neuer Formen im Jazz und auch darüber hinaus bereithält.

Der Begriff selbst kann zu Missverständnissen führen, da eine Freiheit in Bezug auf die herkömmlichen Spielhaltungen des Jazz nur bedingt genutzt wird und es neben einer völligen Freiheit in der Form durchaus Improvisationen gibt, die auf Kompositionen und kompositionsähnlichen Absprachen über Strukturen beruhen.


Free jazz is an approach to jazz music that was first developed in the 1950s and 1960s as musicians attempted to alter, extend, or break down jazz convention, often by discarding fixed chord changes or tempos. Though the music of free jazz composers varied widely, a common feature was dissatisfaction with the limitations of bebop, hard bop, and modal jazz that had developed in the 1940s and 1950s. Often described as avant-garde, free jazz has also been described as an attempt to return jazz to its primitive, often religious, roots and emphasis on collective improvisation.